ALTERNATIVE MUSINGS – Did GOG.com’s PR Stunt Succeed Or Go Too Far?

By Marty Mulrooney

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One of AMO’s favourite digital download sites – GOG.com  – suddenly shut down last Sunday (19th September) without warning, leaving its community members feeling an immense sense of loss and confusion. Many customers were angry, whilst others claimed this news was merely a cleverly worded way of moving out of the site’s beta stage and celebrating GOG.com’s upcoming two year birthday. Thankfully, with new information made available to us via a recent live online press conference (which took place earlier this afternoon), AMO can now reveal that the latter is true and GOG.com’s death was indeed a hoax. But was this a genuinely clever PR stunt or one that went too far?

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Mini Interview – The Secret Of Monkey Island: Special Edition (What Does Dominic Armato Think?)

By Marty Mulrooney

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After a slight (major!) delay, Dominic Armato has returned to AMO! This brings us one step closer to interviewing the legendary voice actor behind Guybrush Threepwood about every Monkey Island game ever made. Today, we ask him about all things The Secret Of Monkey Island: Special Edition…

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GAME REVIEW – Machinarium: Collector’s Edition

By Marty Mulrooney

machinariumcollectorsedition

If you still haven’t played last year’s surprise indie point ‘n’ click success Machinarium, shame on you! As detailed in my review, it is a wonderful little game that deserves to reach as wide an audience as possible. Furthermore, there is now absolutely no excuse for not adding this adventure to your collection: for those of you still adverse to digital downloads, Amanita Design have teamed up with Mamba Lace Global to offer a retail version of the game. Not only that, but it comes bundled with an impressive collection of additional goodies making it seriously good value for money!

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FILM REVIEW – Tamara Drewe

By John Fanning (Guest Writer)

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Tamara Drewe, based on Posy Simmonds’ Guardian comic strip and graphic novel of the same name, is the latest in what looks to be an interminable line of films making the jump from glossy page to screen. It’s not your usual adaptation though: this one may as well have been called “A Romp in the Country”. With a plot loosely derived from Thomas Hardy’s Far From The Madding Crowd, Stephen Frears’ (High Fidelity, The Queen) latest offering is a bourgeois bonkfest.

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