FILM REVIEW – The Girl Who Played With Fire

By Joseph Viney

TheGirlWhoPlayedWithFire

Following on directly from The Girl With The Dragon Tattoo (2009), the second film in the trilogy of adaptations of Steig Larsson’s best-selling juggernaut Millennium tries to recapture the magic of the first film. Unfortunately, The Girl Who Played With Fire has many apparent short falls that will only serve to leave audiences distinctly unfulfilled. However, the appetite for the imminent third part of the trilogy will have not been affected whatsoever.

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GAME REVIEW – Worms 2: Armageddon (PSN/PlayStation 3)

By Marty Mulrooney

Worms2ArmageddonLogo copy

Worms 2: Armageddon is the latest instalment in the popular Worms franchise from Team 17, released on XBLA in 2009 and finally hitting PSN in 2010. Not to be confused with Worms 2 (1998) or Worms Armageddon (1999), Worms 2: Armageddon is a direct sequel to the XBLA (2007) / PSN (2009) reboot Worms, featuring many of the franchise’s best qualities, as well as showcasing a few improvements of its own.

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FILM REVIEW – 12 (Twelve)

By Marty Mulrooney

12(Twelve)

12 (Twelve) is a British martial arts movie directed by Chee Keong Cheung. Originally released in 2007 as Underground, it tells the story of twelve fighters from a variety of backgrounds, all competing in an illegal fighting tournament for a prize of £500,000. Low budget but made with professional input (the fight scenes were apparently put together by renowned fight choreographer David Forman, who has worked on such films as Clash Of The Titans and Batman Begins), 12 (Twelve) also features a wide range of British martial artists/actors, giving it slightly more pedigree, on paper at least, than your average shot-on-a-shoestring-budget action flick.

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MUSIC REVIEW – Symphonicities by Sting

By Marty Mulrooney

stingsymphonicities

Symphonicities is Sting’s tenth studio album, sharing its name with his most recent tour and no doubt playfully reminiscent in title to Synchronicity, the final album from his band The Police all the way back in 1983. Heralded as Sting’s greatest hits, re-imagined for symphonic arrangement, he is joined by the Royal Philharmonic Concert Orchestra in a delightfully alternative album suitable for fans old and new alike.

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