DVD REVIEW – The Ricky Gervais Show (HBO, Channel 4)

By Stewart Sutherland 

What do you get when you take a comedian, an BAFTA Award-winning writer and an uneducated radio producer and put them in a small room with a set of microphones? The answer is the most downloaded podcast ever recorded. Over two hundred thousand people have tuned in to hear Ricky Gervais, Stephen Merchant and Karl Pilkington gather for “pointless conversations” about everything from religion, travel, reproduction, charity and monkeys. After debuting on HBO and Channel 4 in 2010, the animated version of their first ground-breaking series, The Ricky Gervais Show, is now available on DVD.

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FILM REVIEW – 127 Hours

By Marty Mulrooney

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127 Hours directed by Danny Boyle tells the extraordinary true-life story of Aran Ralston, a mountain climber who became trapped by a boulder in Robbers Roost, Utah, for more more than five days in 2003. James Franco stars as Aran in a performance that can only be described as a force of nature.

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Alternative Magazine Online: The Best of 2010 Awards

By Marty Mulrooney

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Following the success of last year’s 2009 AMO awards, it only seemed fair to make them an annual tradition. This year, things are a little different: we’ve expanded our award categories to encompass a wider range of great products from the past year. So, without further ado, here are AMO’s top picks of the best films, games, books, graphic novels and music CD’s of 2010!

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MUSIC REVIEW – Tron Legacy OST by Daft Punk

By Joseph Viney

TronLegacySoundtrack

On paper it’s a match made in heaven; the enigmatic techno-bods Daft Punk scoring the soundtrack to the sci-fi geek’s paradise that is Disney’s long-awaited sequel to Tron. Disney must be commended in some way for having the foresight to enlist Daft Punk instead of opting for a faceless conductor or agoraphobic studio bod. Daft Punk, with their experience and willingness to push the envelope, have yet to work so closely in conjunction with a film studio prior to this release. OSTs do have certain limitations, but are the master of futuristic dance-floor fillers able to clear such obstacles?

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