Tag Archives: Disney

FILM REVIEW – Toy Story 4

By Marty Mulrooney

Toy Story 4

Toy Story 4 is a computer-animated comedy produced for Walt Disney Pictures by Pixar Animation Studios. The sequel to Toy Story 3 (2010), this fourth instalment of the critically-acclaimed series once again follows Sheriff Woody and his friends as they try to keep their child happy.

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FILM REVIEW – Saving Mr. Banks

By Marty Mulrooney

Saving Mr Banks

Saving Mr. Banks is an American-British-Australian film directed by John Lee Hancock (The Blind Side). Based on (or perhaps more accurately, inspired by) a true story, the film stars Emma Thompson as author Pamela ‘P.L.’ Travers and Tom Hanks as filmmaker Walt Disney, as they struggle to bring the story of Mary Poppins from the small page to the big screen.

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BOOK REVIEW – The Captain Jack Sparrow Handbook by Jason Heller

By Marty Mulrooney

TheCaptainJackSparrowHandbook

The Captain Jack Sparrow Handbook by Jason Heller is a tongue-in-cheek guide on how to become a swashbuckling pirate, released to tie-in with the Pirates of the Caribbean: On Stranger Tides film due out at the end of this month (May 2011). Offering many vital tips including how to bury treasure, how to break a curse, how to stay alive when your ship sinks and how to deal with mermaids, this guide will soon help you cast off the shackles of landlubber society and become a master of the seven seas… or at least the local recreation centre/YMCA!

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MUSIC REVIEW – Tron Legacy OST by Daft Punk

By Joseph Viney

TronLegacySoundtrack

On paper it’s a match made in heaven; the enigmatic techno-bods Daft Punk scoring the soundtrack to the sci-fi geek’s paradise that is Disney’s long-awaited sequel to Tron. Disney must be commended in some way for having the foresight to enlist Daft Punk instead of opting for a faceless conductor or agoraphobic studio bod. Daft Punk, with their experience and willingness to push the envelope, have yet to work so closely in conjunction with a film studio prior to this release. OSTs do have certain limitations, but are the master of futuristic dance-floor fillers able to clear such obstacles?

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