Category Archives: Film

FILM REVIEW – Avatar (3D Version)

By Marty Mulrooney

avatarposter

With Avatar having finally been released just under two weeks ago, Alternative Magazine Online decided we needed to give our readers the full lowdown on this cinematic milestone…

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THE SNOWMAN – A British Christmas Classic

By Marty Mulrooney

TheSnowman1

With Christmas nearly upon us, I thought I would do a quick post about one of the greatest Christmas films of all time. Based on the 1978 Raymond Briggs children’s book, The Snowman is a 1982 animated winter classic.

Shown originally on Christmas Eve ‘82 on Channel 4 in the UK, it has since been shown every single year. A review would be pointless; this is a perfect, if not slightly bittersweet adaptation.

What I do intend to do is offer a few good reasons why you should give it a watch this Christmas, British or not. Oh, and Merry Christmas from Alternative Magazine Online!

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INTERVIEW – In Conversation With Gary Goldman (Don Bluth Productions)

By Marty Mulrooney

GaryGoldman

Logo ALTERNATIVE SPEAKS EXCLUSIVELY TO THE STUDIO CO-FOUNDER ABOUT THE PAST, PRESENT AND FUTURE OF DON BLUTH PRODUCTIONS…

Continuing onwards with the resurrection of articles taken from the original print edition of Alternative Magazine (the inspiration for this site!) I am proud to present a chat that took place earlier this year between myself and Gary Goldman, one of the founding fathers of the world-renowned Don Bluth Animation Studio, responsible for such timeless classics as An American Tale and All Dogs Go To Heaven. There is also some exciting new artwork to see from Don Bluth’s achieves, so I hope you all enjoy this exclusive interview!

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FILM REVIEW – Harry Brown

By Marty Mulrooney

Harry-Brown-poster

I knew from the trailers for Harry Brown that it could end up being amazing, a British Gran Torino, Michael Caine’s swansong, a sharp commentary on British society and gang culture. I also knew that it could potentially be a complete disaster… not everything Caine touches turns to gold and this is director Daniel Barber’s first feature film after all.

To be honest, first impressions were not so good. Shaky camerawork shows a gang of thugs in an underpass, darkly lit, showing off guns and doing drugs. I HATE shaky cams and I was nearly ready to zone out, when I suddenly realised this was actually being recorded from the point of view of an unseen member of the gang on his mobile phone.

We then cut to what has to be one of the most shocking opening scenes I have seen in years, as said thug videos a high speed bike ride from behind one of his friends, before doing something completely chilling to a young, terrified mother in a public park. Once we cut to regular celluloid, Harry Brown has arrived. I knew it wasn’t going to be pretty. But I now had hope that it could actually turn out to be a decent little flick.

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